Donna Galanti - Where heart and hope meet adventure!

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Pumpkin Pie Forever

By Donna Galanti

This was the first autumn in years I didn’t cook my pumpkins. And without pumpkins there’s no fresh pumpkin pie.

This year there would be no orange pulp to cook, puree, and squeeze through cheese cloth. No dough rolled out from my mother’s worn, wooden rolling pin. No flour dotted pages to turn on the warped old cook book (the one I didn’t need anymore as I knew the recipe by heart). It was the first cook book I ever had. The one given to me from my mother to make my first kitchen complete. The Good Housekeeping Illustrated Cook Book.

This year the book would sit on a shelf. There would be no home made whip cream laced with nutmeg and vanilla to grace that gooey pumpkin custard. No flaky crust to hang down from the over sized pie dish with flowers on the bottom. My mother gave me that too.

I didn’t plan it that way. It just happened. Too busy. Too many projects. For the first time it just didn’t feel important. I had proven to my mother once that I made a better pumpkin pie than her. She said so. And the truth was in her saying.

It was even good the year she pulled my pie from the oven and with one slip of her hands she flipped it over upside down on the oven door. We looked at each other and laughed. And as the guests waited in the candle-lit dining room with the cornucopia on the table, we quickly scooped up the mush and arranged it perfectly back in the crust. No one knew.

That was before the cancer came. Her body was strong and vibrant then, like her spirit.

I think I’ve gotten my mother’s gravy down. The jury is still out. And my mother will never be able to tell me so. But I’ll know. Then there’s her southern biscuits to be made with sorghum, lemon meringue pie, and mincemeat pie.

There’s no rush. I have time ahead of me. Lots of time. And her notes in the margin to help. That swirly, on-the-go, right-slanted script I know by heart. It was shaky at the end. Unsteady and weak. But not this handwriting. The one in my cook book is dynamic and purposeful.

Like my mother. Like me.

I don’t have to prove my pumpkin pie to anyone anymore, least of all my mother. She’s been gone these last few Thanksgivings, but I know she’ll be part of my pumpkin pie forever.

Even if I don’t make it.

Letting Go: In Writing, In Life

By Donna Galanti

We all have to let go eventually.

Sometimes it’s letting go of a friendship. A husband. A career. A child. A parent.

The toxic friend who suffocates you and puts you down. The husband who can’t commit. The career that stresses you out. The child who needs to learn from his own mistakes. The parent who dies.

Or letting go of the parts of your book you’re writing that work–until they don’t work anymore.

Some people call it “killing your darlings” like William Faulkner noted. He said, “in writing, you must kill all your darlings.” He also said, “a writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.”

Your imagination lets your words fly free.
Your experience enables you to harness them. 
Your observation arms you with the weapon to indeed kill those darlings.

I like to call it “letting go” .

At one writer’s retreat lakeside in Northern New York (led by editor, author, and friend Kathryn Craft) I read from my novel-in-progress. A strong theme of the novel is about finding peace in life through balance, emotional vs. physical. My fellow retreaters pointed out that several of my characters had disabilities.

A one-legged girl. A bald-headed lady. A young man with a club foot. A young woman with lopsided breasts. I was told that unless this was a novel about circus freaks, it was too much.

Uh, yeah.

I had to laugh. They were right. I needed to decide what would stay and what to let go that no longer served the purpose of the story. I had to find the one select physical character issue and let that shine throughout the story arc. And I realized that a character’s imbalance need not be physical, it could be on the inside–a flawed internal imbalance that he has to face.

I was comforted also by the fact my fellow retreaters told me that letting go of what doesn’t serve your story is the sign of maturity in a writer.

And this is what writing the draft of a novel is about. Writing it all in, and then letting go. What we start out with is not what we end up with, and it can’t stay the same to work. Like life. We must let go of what no longer serves us.

And in the creating of that which we may let go, we develop the skills needed as a writer–and we absorb these skills along our journey, often without knowing it. We’re building a bridge that may get disassembled and moved to another location, but we would never get to that final location without the first bridge.

It has to be undone–to be done. To be let go–in order to gain.

In my thriller for adults, A Human Element, my publisher sent back edits on the villain, X-10. He was too evil. He was too unredeemable. He did too many terrible deeds. It was overkill and took away from the complexity of his character and derailed the emotional scene at the end. I agreed and–I let them all go but one. And it worked. Many readers tell me that that X-10 is their favorite character and they feel sympathetic toward him, even with how terrifying he is.

In Twyla Tharp’s The Creative Habit she notes that “what all successful artists have in common is that they have mastered the underlying skills of their creative domain, and built their creativity on the solid foundation of those skills.”

Tharp also writes that “skill is how you close the gap between what you see in your mind’s eye and what you can produce.” And that is what letting go in writing is–closing the gap between a new idea and a refined one.

I remember the first time I let go of my son’s hand years ago and let him run out in the wide open spaces. He jogged crookedly across a vast field. His toddler legs carried him wildly as he headed into the great unknown. I knew it was time to let him go for a bit. I could still see him and that would have to be enough. But anxiety gripped my heart until his small hand was back in mine, warm and gripping.

At age ten, my son wanted to bike to school by himself. His friends were doing it. It was only half a mile. Down the path. Over the bridge and through the woods. Across the road. I could see his route in my mind. We’d taken it so many times. And I signed the school form giving him permission and I waved goodbye as he left for school. A letting go that hurt. But I discovered it wouldn’t always hurt. My son didn’t need saving anymore. I let him go to be his own hero. I hope I can too in the wide open spaces of my writing.

What we start out with is not what we end up with, and it can’t stay the same if we want to move on. In writing. In life.

I let go of my mother not long ago. I held her hand. I said my goodbyes. I cherished the time. She drifted away. And then I let go.

No regret.
Just peace.

The blessing in letting go is to let go with no regret. It makes the experience all worthwhile.

An experience that shapes you.
Changes you.
Matures you.
Makes you a better person.
Makes you a better writer.

What have you let go of recently? And did you do it without regret? What did you learn from it?

For Mother’s Day: How A Story Grew From Love

By Donna Galanti

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Me and the real Joshua then

Years ago when my son, Joshua, was four we’d like to sit on the front stoop together at twilight under a tree and watch the stars come out. It became story time too. That’s where I would spin wild and silly tales for my son.

From that tree and those constellations came one story in particular that grew over many summer evenings. It was about a boy who finds adventure in the mountain forest above his home when he encounters fantastic, talking animals created from their magical ancestors that roamed the earth long ago. He bands together with unlikely friends – a bully, a bear, and an old man – to fight a power-hungry fox who creates an army to rule the forest.

I spun this tale for my son as fantastical as could be where anything could happen – and did. It appealed to my desire to create new worlds where we could live out magical and heroic adventures. The story was that place for my son and I to dream. A place where friendships were forged, loyalties were made, courage was tested, and fellowship ruled the woods – all led by a hero who came into his own, Joshua.

Those summer nights under the stars faded but the story didn’t. A few years later that story became my first novel, Joshua and the Fantastic Forest. I began writing it one fall to focus on something other than the grief of my mother recently passing away.

The story from a stoop swelled in my imagination and became the book of one boy, Joshua Cooper, who finds out how a walk in the woods could change his life – or end it.

And I vividly recall a cold February the 14th when I pounded THE END of Joshua’s tale and shouted, “Happy Valentine’s Day to me!” And then whispered “Thank you, Mom.”  Her gifts were left behind and her vibrant colors were long gone, but remain with me still.

This is my one novel that remains unpublished. It sits in a shoebox buy ativan unseen, unread – but not unloved. Just this month I dusted it off to re-visit one battle scene from it and blend it into Joshua and the Arrow Realm, book 2 in my Joshua and the Lightning Road series (book 1 out May 19th!). Finally, in this series, the real Joshua Cooper comes to life.

And it was the love for my son, Joshua, that filled my heart to create that very first book that remains hidden. And it was losing the love of my mother that broke my heart and drove me to finish it. And it is the discovery of my love for writing books that keeps me going. It began with love. It endures with love.

LOVE.

A giant, magical beating heart that breaks and mends itself over and over. A heart that propels us to find our power and change our world – and keep enduring.

I hope you have love – past and present – in your world today on Mother’s Day.

***

Please stop in to see where else I’ve been chatting this week!

Drawing the world for my book! How my amateur drawing to help me with my story went from sketch to illustration to poster.

Getting your manuscript past the gatekeepers on Literary Rambles. Learning how to improve your writing to reach a literary agent.

From adult thrillers to kid thrillers: my 10 steps to writing scary for kids.

There’s only one week left to pre-order Joshua and the Lightning Road and enter to win an iPad Mini, B&N gift card, and a map poster of the Lost Realm in the book!

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iPad Promo JOSHUA

Pre-order Joshua and the Lightning Road from your favorite bookseller and email proof of purchase to LightningRoadContest@gmail.com

NEW REVIEW!
“Imaginative, vivid, and dazzling…Richly atmospheric…From the initial flash of lightning to the book’s electrifying end, Galanti’s eerie Lost Realm of Nostos is fresh, scary, and deep. JOSHUA AND THE LIGHTNING ROAD is a juggernaut of a thrill ride, hurling the reader through chills, thrills, horror, and hope—perfect for the young adventurer in your life!” –Amazon Reviewer

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